Sandro Botticelli
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c. 1445 – May 17, 1510. Italian painter.

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Juan Bautista del Mazo
The sitter is Margaret of Spain, first wife of Leopold I, Holy Roman Emperor, wearing mourning dress for her father, Philip IV of Spain, with children

ID: 92584

Juan Bautista del Mazo The sitter is Margaret of Spain, first wife of Leopold I, Holy Roman Emperor, wearing mourning dress for her father, Philip IV of Spain, with children
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Juan Bautista del Mazo The sitter is Margaret of Spain, first wife of Leopold I, Holy Roman Emperor, wearing mourning dress for her father, Philip IV of Spain, with children


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Juan Bautista del Mazo

Juan Bautista Martenez del Mazo (c.1612 - 10 February 1667) was a Spanish Baroque portrait and landscape painter, the most distinguished of the followers of Velezquez, whose style he imitated more closely than did any other artist. A fine painter himself, Mazo was a master of landscape, as proven by his most celebrated work View of Saragossa.   Related Paintings of Juan Bautista del Mazo :. | Visitation | Young Mother | The Summer, The Harvest | Manhood | regatta |
Related Artists:
Trophime Bigot
Trophime Bigot (1579-1649/50), also known as Theophile Bigot, Teofili Trufemondi, Candlelight Master, Maître e la Chandelle, was a French painter of the Baroque era, active in Rome and his native Provence. Bigot was born in Arles in 1579, where he began his artistic career. Between 1620 and 1634, Bigot was in Italy, including Rome. He is known to have been in Arles in 1634, where he painted the altarpiece Saint Laurent condamne au supplice (Saint Laurence Condemned to Torture) and Assomption de la Vierge (Assumption of the Virgin) for local churches. Between 1638 and 1642, he lived in Aix-en-Provence, where he painted another Assumption of the Virgin. He returned to Arles in 1642, and divided his activities between this city and Avignon, where he died around 1650.
blunck
1799-1853
ZIMMERMANN Johann Baptist
German painter, Bavarian school (b. 1680, Wessobrun, d. 1758, Menchen). Painter and stuccoist. Much of his early stuccowork and frescoes, such as that in the choir of Gosseltshausen parish church (1701) and the refectories of the abbeys at Tegernsee, Weyarn and Beyharting (before 1710), has been destroyed. His earliest surviving stuccowork (1707-9) is in the pilgrimage church of Maria Schnee, near Markt Rettenbach, and reveals the influences of Johann Schmuzer from Wessobrunn and an Italian stucco workshop that practised in Tegernsee.






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